Paul Gauguin As A Symbolic Artist

The symbolic use of objects to express underlying ideas and emotions came to fascinate veritable artists towards the end of the 19th century Reacting against the growing materialism of the duration , and specifically the artistic dominance of impressionism and realism , they aimed to reconcile bailiwick and spirit through a language of signs and hidden meanings an qabalistic art where the significance of a workplace implied more than the shopping centre of its apparent parts , revealing its full meanings only to those initiated into the muckle of symbolists world . Though the second half(a) of the 19th century was Symbolism s golden age , this artistic expression underwent a significant evolution starting from prehistoric cave drawings through the religious symbolism and finally arriving to its pivotal era in the 19th century . The period of the High Renaissance as surface as the baroqueness feature essential instances of this radiation diagram of art style . The most common symbols such as the halo , shell , combination of linear and atmospheric persuasion were all related to religious symbolism , they conveyed the divinity of objects envisioned . While Renaissance significantly relied upon the revival of Classicism the baroque differed from its predecessor by its tendency to cancelism in prototype depiction . Often the juxtaposition of light and shadow symbolized the juxtaposition of good and evil (Stokstad , 2002 . Another peculiar feature of the Baroque period was the depiction of landscapes (Stokstad 2002 , where the main characters , usually saints , where accompanied with natural symbolic elements which conveyed main object s peculiar character . This blast to symbolic art was a step forward in the development of Symbolism . Romantic art tended to treat symbols as mediators for human understanding of spirit . The nature was the prime divert of that period . Through symbols artists expressed inexpressible facet of nature , the infinite . But the prime time of Symbolism came half a century later when this movement became a reply against realism (Goldwater , 1998 . Symbolism was widely influential .

In this work we will show that the Symbolists main ideas were directed to oppose naturalism and go beyond realism . Paul Gauguin , French panther sculptor , and printmaker born in Paris , died in self-imposed exile in the South Seas was one of the Symbolist s leader . His life was full of misery as well as happiness . Starting with relatively banal impressionistic techniques , Gauguin evolved towards an increasingly personal treatment of form and color . He being under the influence of Pissarro , painted with sable brushes . This technique makes the color stay thicker resulting in juxtaposed colors and preventing some(prenominal) colors to blend . In this way he obtained iridescent brushstrokes , which side by side give the stripy install like in lock-life with Ham (Fig . 1 )Fig . 1 Still Life With HamPainted in 1889Oil on canvasThe Phillips Collection , Washington , D .C Gauguin traveled a lot to exotic lands - Brittany , Panama and Martinique . As his friend Daniel de Monfreid put it He went to find in what he believed to be a country of ancient customs , an environment an air different from our overcivilized...If you want to get a full essay, format it on our website: Orderessay

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