As part of our MA Ive been considering how this applies to photography and go steady culture, and the implications this allegory has for the photographer in the age of media overload. Ive been analyze the line back to the years leading up to Korzybskis contribution, a period when Dadaism and later Surrealism were brazenly oppugn perception itself, and the limits of our perceptual powers. Rene Magrittes 1928 painting The Treachery of Images, below, is a classic of this fertile time.
ts quite a playful, seemingly carefree image, reeling us in while at the same hinting at some of the more complex forces at work when we look at something, and inevitably judge it, and then label it. It came after Dadaism, where certain artists and writers waged war on traditionalistic culture and aesthetics, on what they considered the hollowness of the modern world, and the cosy, simplistic spirit of much of the bourgeois-driven art being produced. (Think paintings of women in big dresses, keeping parasols.) In 1916, with World War I raging across Europe, a Dada Manifesto was drafted by the German poet Hugo Ball, who wrote: I dont want words that other concourse have invented. All the...If you want to get a profuse essay, order it on our website: Orderessay
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