Griffiths dash, The Birth of a Nation, set the bar for what a biography storyline should be in cinema, for his time period and straightaway as well. During an era of short, silent films, which often only visualised a single circumstance or shallow plot, the film seemed to be the model for any story portrayed as an epic of regularts that spanned over some(prenominal) years and covered some(prenominal) events. While at the same time he showed the tycoon of cinema as a propaganda tool and media for personal worry and ideology. However, above all his elaborate storyline can even be seen as a prerequisite for modern films, including gird Lees Do The Right Thing.
The most remarkable thing most Griffiths storyline is the amount of issues and span of time he covers in the picture. He starts with the early days of America in which he immediately displays his own views and recollection of slavery. His depiction is laced with propaganda that clothe the true role and quality of life slaves really endured in the early south. He moves on to other events involving slavery, including the Civil War, in which he pits friend against friend as he tries to discipline the idea that the Emancipation Proclamation destroyed national human relationship among whites.
Later Griffith shows the development and role of the Ku Klux Klan, which he depicts as honorable warriors of white interest. The entire storyline as a square acts as a powerful statement and tool of semipolitical propaganda that connects with his personal ideology. The elaborate story allows for the audience to be heart-to-heart to a multitude of racist and discriminatory ideas that are shrouded by inaccurate interpretations.
Spike Lee gives the audience a narrative snatch on the ongoing struggle of blacks in America, while connecting many different views...
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