In the film The Truman Show by director Peter Weir, the knock divulge is presented with a rural utopia. The star of this paradise is a keep insurance salesman named Truman Burbank, portrayed by Jim Carrey. As we go with Trumans day we see how the human beings, literally, revolves around him and yet, we see that it is not a world at all, but a set. In fact, as the television narrator informs the viewer, it is one of the only man-made objects unmistakable from space. At the helm of this television marvel is the shows director, Christof, played by Ed Harris. From the beginning the viewers can realize that Christof has been a type of babysitter for Truman - guiding and controlling his life of end up perfection. But even in this life of complete bliss and perfection, there is an overbearing sense of imperfection, of a breaking point in time looming on the horizon. As Peter Weir tries to develop this perfect world within a world, he seems to purpose soundy leave out an important element present in any utopia - that of imperfection. Weir conveys this absence seizure of daily strife with the use of camera angles, music, and lighting.
Weirs use of camera angles throughout the movie helps to convey the missing imperfection in Trumans world.
When we begin the day with Truman setting off for work, we see the resembling front-faced view of Truman waving to his neighbors as we axiom the day before. He drives to work and we see the radio camera as we saw the day before, he walks into his work and we see him stopped and touch up against the same wall talking to the same duplicate as the day before. This repetitive use of camera angles really shows the viewer the monotony of Trumans life.
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